ChiaroScuro DVD-Collection
Alphabetically sorted by Director's last name
Total number of titles: 1397
Last updated: 09 Feb 2007
(Um Haaresbreite [de])
USA 1952
d: Richard Fleischer
Warner Home Video (Region 0 us)
USA 1952
d: Richard Fleischer
Warner Home Video (Region 0 us)
sc: Earl Felton (based on a story by Martin Goldsmith, Jack Leonard)
c: George E. Diskant (b/w)
e: Robert Swink
pd: Albert S. D'Agostino, Jack Okey
p: Stanley Rubin (RKO Radio Pictures)
w: Charles McGraw, Marie Windsor, Jacqueline White, Gordon Gebert, Queenie Leonard, David Clarke, Peter Virgo, Don Beddoe, Paul Maxey, Harry Harvey
pr: 03 Mai 1952
c: George E. Diskant (b/w)
e: Robert Swink
pd: Albert S. D'Agostino, Jack Okey
p: Stanley Rubin (RKO Radio Pictures)
w: Charles McGraw, Marie Windsor, Jacqueline White, Gordon Gebert, Queenie Leonard, David Clarke, Peter Virgo, Don Beddoe, Paul Maxey, Harry Harvey
pr: 03 Mai 1952
rt: 71:21 min
dvd-rl: 05 Jul 2005
ar: 1.33:1 (4:3 Academy Ratio)
sd: English Dolby Digital 1.0 Mono • Audio Commentary Dolby Digital 1.0 Mono
st: English, Spanish, French; CC
supp: Film Noir Classics Collection 2
• Audio Commentary by filmmaker William Friedkin with archival contributions by director Richard Fleischer
• Theatrical Trailer (1:55 min)
dvd-rl: 05 Jul 2005
ar: 1.33:1 (4:3 Academy Ratio)
sd: English Dolby Digital 1.0 Mono • Audio Commentary Dolby Digital 1.0 Mono
st: English, Spanish, French; CC
supp: Film Noir Classics Collection 2
• Audio Commentary by filmmaker William Friedkin with archival contributions by director Richard Fleischer
• Theatrical Trailer (1:55 min)
Fleischer has yet to have his critical day: with Blake Edwards, he is one of the last surviving classically trained American directors. Here is classic pulp premise (cops escorting hoodlum's widow to Grand Jury trial with a pack of killers bent on eliminating her before she talks); essence of B movie casting (the malevolently magnificent McGraw and the sleazy siren Windsor); and classic setting (transcontinental express train with every passenger, every stop a possibly malign menace). Teeming with incident, it is fashioned into a taut, breathtakingly fast and highly suspenseful 'sleeper' par excellence.
— CW, Time Out Film Guide
•••••
Originally titled The Target, RKO's noir programmer "The Narrow Margin" (1952) was a hard-boiled masterpiece of gangland-flavored tough-guy dialogue and of economy in setting and pace. The plot contrivances, shootings, taut pace, and a major narrative twist in the third act helped it become an instant audience favorite and earn enough critical clout for an Oscar nomination as Best Original Screenplay. Practically a primer on how to produce a B-movie, it began its life as the lower half of a double bill with "Tembo" (1952), a laughable African safari adventure from star-director-producer Howard Hill, promoted as the "World's Greatest Archer." The son of famed cartoonist Max Fleischer (the creator of "Popeye" and "Betty Boop"), director Richard Fleischer reached the high water mark of his low budget career with "The Narrow Margin". Having already won a Short Subject Oscar in 1948, the former newsreel editor's career took off on the popularity and reputation of the film, and he was soon directing glossy A-list projects like "20,000 Leagues Under the Sea" (1954), although he never completely gave up his affinity for crime melodrama. Critical respect for "The Narrow Margin" grew over the years until, at around the same time as a big-budget 1990 remake, a new print of the original was screened on the revival circuit. Without a bit of irony, "The Narrow Margin" was once again shown as half of a double bill, this time with the lurid classic "Detour" (1946), to which "The Narrow Margin" was often favorably compared (both films featured scripts co-written by Martin Goldsmith). With apologies to Howard Hill, most aficionados of lower-tier Hollywood noir consider "The Narrow Margin" one of the greatest B-movies ever made.
— Karl Williams, AMG
•••••
This crisp thriller makes quick business of illustrating one of film noir's more unsettling tenets, that in our society, morality is relative. A detective is the reluctant escort for a racketeer's contemptuous widow who is to appear as a witness against organized crime; various mobsters make it their business to see that she does not arrive alive. The film takes place almost entirely within the narrow margins of a locomotive's interior, which cinematographer George Diskant (who shot Nicholas Ray's "On Dangerous Ground" and "They Live by Night") turns into a glistening noir setting for fast turns and cruel deceptions.
— PFA
— CW, Time Out Film Guide
•••••
Originally titled The Target, RKO's noir programmer "The Narrow Margin" (1952) was a hard-boiled masterpiece of gangland-flavored tough-guy dialogue and of economy in setting and pace. The plot contrivances, shootings, taut pace, and a major narrative twist in the third act helped it become an instant audience favorite and earn enough critical clout for an Oscar nomination as Best Original Screenplay. Practically a primer on how to produce a B-movie, it began its life as the lower half of a double bill with "Tembo" (1952), a laughable African safari adventure from star-director-producer Howard Hill, promoted as the "World's Greatest Archer." The son of famed cartoonist Max Fleischer (the creator of "Popeye" and "Betty Boop"), director Richard Fleischer reached the high water mark of his low budget career with "The Narrow Margin". Having already won a Short Subject Oscar in 1948, the former newsreel editor's career took off on the popularity and reputation of the film, and he was soon directing glossy A-list projects like "20,000 Leagues Under the Sea" (1954), although he never completely gave up his affinity for crime melodrama. Critical respect for "The Narrow Margin" grew over the years until, at around the same time as a big-budget 1990 remake, a new print of the original was screened on the revival circuit. Without a bit of irony, "The Narrow Margin" was once again shown as half of a double bill, this time with the lurid classic "Detour" (1946), to which "The Narrow Margin" was often favorably compared (both films featured scripts co-written by Martin Goldsmith). With apologies to Howard Hill, most aficionados of lower-tier Hollywood noir consider "The Narrow Margin" one of the greatest B-movies ever made.
— Karl Williams, AMG
•••••
This crisp thriller makes quick business of illustrating one of film noir's more unsettling tenets, that in our society, morality is relative. A detective is the reluctant escort for a racketeer's contemptuous widow who is to appear as a witness against organized crime; various mobsters make it their business to see that she does not arrive alive. The film takes place almost entirely within the narrow margins of a locomotive's interior, which cinematographer George Diskant (who shot Nicholas Ray's "On Dangerous Ground" and "They Live by Night") turns into a glistening noir setting for fast turns and cruel deceptions.
— PFA
(Soylent Green - 2022 ... die überleben wollen [de])
USA 1973
d: Richard Fleischer
Warner Home Video (Region 2 de)
USA 1973
d: Richard Fleischer
Warner Home Video (Region 2 de)
sc: Stanley R. Greenberg (based on the novel "Make Room? Make Room?" by Harry Harrison)
c: Richard H. Kline (Metrocolor, Panavision)
e: Samuel E. Beetley
pd: Edward C. Carfagno
m: Fred Myrow
p: Walter Seltzer, Russell Thatcher (Metro-Goldwyn-Mayer (MGM))
w: Charlton Heston, Leigh Taylor-Young, Chuck Connors, Joseph Cotten, Brock Peters, Paula Kelly, Edward G. Robinson, Stephen Young, Mike Henry, Lincoln Kilpatrick, Roy Jenson, Leonard Stone, Whit Bissell, Celia Lovsky, Dick Van Patten
pr: 19 Apr 1973
c: Richard H. Kline (Metrocolor, Panavision)
e: Samuel E. Beetley
pd: Edward C. Carfagno
m: Fred Myrow
p: Walter Seltzer, Russell Thatcher (Metro-Goldwyn-Mayer (MGM))
w: Charlton Heston, Leigh Taylor-Young, Chuck Connors, Joseph Cotten, Brock Peters, Paula Kelly, Edward G. Robinson, Stephen Young, Mike Henry, Lincoln Kilpatrick, Roy Jenson, Leonard Stone, Whit Bissell, Celia Lovsky, Dick Van Patten
pr: 19 Apr 1973
rt: 92:49 (+4%PAL= 97) min
dvd-rl: 18 Sep 2003
ar: 2.35:1 (16:9 Anamorphic Widescreen)
sd: English Dolby Digital 1.0 Mono • German Dolby Digital 1.0 Mono • French Dolby Digital 1.0 Mono • Spanish Dolby Digital 1.0 Mono • Audio Commentary Dolby Digital 2.0 Mono
st: Arabic, Croatian, Dutch, English, French, German, Greek, Hungarian, Icelandic, Italian, Norwegian, Portuguese, Polish, Slovenian, Spanish, Swedish, Turkish
supp: • Audio Commentary by Leigh Taylor-Young and director Richard Fleischer
• Vintage documentary: "A Look at the World of SOYLENT GREEN" (1973) (10:04 min)
• Featurette "MGM's Tribute to Edward G. Robinson's 101st Film" (4:51 min)
• Theatrical trailer (3:21 min)
dvd-rl: 18 Sep 2003
ar: 2.35:1 (16:9 Anamorphic Widescreen)
sd: English Dolby Digital 1.0 Mono • German Dolby Digital 1.0 Mono • French Dolby Digital 1.0 Mono • Spanish Dolby Digital 1.0 Mono • Audio Commentary Dolby Digital 2.0 Mono
st: Arabic, Croatian, Dutch, English, French, German, Greek, Hungarian, Icelandic, Italian, Norwegian, Portuguese, Polish, Slovenian, Spanish, Swedish, Turkish
supp: • Audio Commentary by Leigh Taylor-Young and director Richard Fleischer
• Vintage documentary: "A Look at the World of SOYLENT GREEN" (1973) (10:04 min)
• Featurette "MGM's Tribute to Edward G. Robinson's 101st Film" (4:51 min)
• Theatrical trailer (3:21 min)
Fleischer's dystopian sci-fi - adapted from Harry Harrison's "Make Room! Make Room!" - may have its flaws (it gets a bit messagey and sentimental at times, and the ending is not as surprising as it could be), but it certainly knocks the silly juvenilia epitomised and inspired by Star Wars and ET for six. In some respects not unlike the (admittedly more complex) Blade Runner, it envisages the year 2022 as so ravaged by over-population, pollution and climate change that New York has become a teeming Babel of 40 million. Heston is the cop investigating the murder of an executive of the company that produces the titular synthetic food on which everyone now depends for survival; Robinson, wonderful in his final role, is his pal, savouring memories of earlier, better times as he nears death. Good, solid stuff, assembled efficiently enough to be pretty persuasive.
— GA, Time Out Film Guide
— GA, Time Out Film Guide
d = director; sc = screenplay; c = cinematographer; e = editor; pd = production design / art director;
m = music score ; p = producer; w = cast; pr = premiere; aw = awards;
rt = runtime; dvd-rl = dvd release; ar = aspect ratio; sd = soundtracks; st = subtitles; supp = supplements
m = music score ; p = producer; w = cast; pr = premiere; aw = awards;
rt = runtime; dvd-rl = dvd release; ar = aspect ratio; sd = soundtracks; st = subtitles; supp = supplements

